Front Row Reviewers

Oct 13, 2023 | Reviews

CenterPoint Legacy Theatre’s Jekyll & Hyde the Musical: A Duality of Theatrical Brilliance

Front Row Reviewers

Front Row Reviewers

By Keolanani Kinghorn

CenterPoint Legacy Theatre’s production of Jekyll & Hyde is a riveting tale of dualities based on the classic novella by Robert Louis Stevenson. Director Liz Christensen has created a production with vivid details, images, textures, and colors that leaves a powerful and lasting impression on the audience. Across the top of four large TV screens, the first lines of Jekyll & Hyde the Musical are written in spooky cursive:

“In each of us there are two natures. If this primitive duality of man—good and evil—could be housed in separate identities, life would be relieved of all that is unbearable. It is the curse of mankind that these polar twins should be constantly struggling.”

Jekyll & Hyde the Musical revolves around a brilliant and well-intentioned scientist (Dr. Jekyll) who, in his pursuit of separating the good from the evil in human nature, unwittingly unleashes the madness inside himself (Mr. Hyde.)

There is a sense of foreboding as the audience is introduced to Dr. Henry Jekyll, portrayed brilliantly by Christian Lackman (also played by Ben Lowell on T/Th/Sat.) His passionate portrayal of the morally conflicted doctor who wants to help his father is captivating. With the ominous and atmospheric solo by Lackman, “Lost in the Darkness,” we fall into the grisly, gripping story.  As Jekyll’s experiments on himself spiral into chaos, Lackman skillfully navigates the complex emotional journey with pitch perfect  emotional nuance, helping the audience empathize with his torment and anguish.

The transformation into Mr. Hyde, the darker alter ego of Jekyll, is where this production truly shines. The contrast between the two characters is stark, and Lackman embraces the duality with incredible energy and intensity. His renditions of “Alive” and “Murder, Murder” are show-stopping moments that leave a lasting impact. Lackman physically alters through the tone of his voice, which becomes loud and rough, the way he holds his body, costume changes (when possible).  Red lights (by Jordan Fowler­) aid his transformation—but switching between the two personas of this kind so quickly is an incredible task for any actor.  Lackman impressed me with his skill and talent. I even wrote in my notes, “Christian Lackman is Broadway worthy,” which I don’t say lightly.

Director Liz Christensen said on her Facebook account, “I’ve directed shows that have a title character and are considered a star vehicle before but Jekyll & Hyde is the most demanding thing I’ve ever asked a lead actor to do. Ben Lowell and Christian Lackman are not only brilliant performers but complete joys to work with, excellent leaders and ensemble players who elevate everyone around them, are totally humble, and are such fun to make theatre with.”

The supporting cast complements the leading performers remarkably well. Jessica Knowles Andres (also portrayed by Casey Matern on T/Th/S) as Lucy Harris adds a sense of vulnerability to the story with stunning vocals, while Karllen Johnson as Emma Carew (also portrayed by Amanda Frisby on T/Th/S) provides a sweet romance story and a sense of confidence in her decisions, despite her unpopular choice for a  fiancée. Both women have qualities I admire.

The exceptional fight choreography by Justin Lee adds another striking element of this production. Stage fighting that is believable but does not really hurt anyone is difficult. It takes great moves and committed actors and this production has both.

I also want to commend Director Christensen and Choreographer Sunny Simkins on how they approached the dynamics between Lucy Harris and Edward Hyde. Too often, their relationship gets over romanticized and over sexualized. ultimately perpetuating unhealthy relationships. During their song, “Dangerous Game,” Lucy shows she is terrified of Hyde, not turned on by him. Her motivations are to avoid being harmed, nothing more, and this is achieved perfectly.

Jessica Knowles Andrus MWF

The Scenic Design by Josh Roberts Costume Design by Nita Smith and Jeana Forthman deserve special mention. The Victorian-era London backdrop, with its dark, moody atmospheres, adds to the eerie ambiance of the narrative. The transformation of the set to depict different locations is seamless and inventive. Jekyll’s workstation is a massive, distorted mirror lowered from the ceiling, held firmly by a thick metal linked chain. A collection of potions and glass bottles clink and piles of books an apothecary would be envious of creates an atmosphere of a serious scientist—no hint he will become a monster. The costumes reflect the period accurately and contribute to the overall immersion into the story. Each actor’s costumes are so detailed; I could simply look at each one and know their back story. Lighting design by Fowler brings this production to another level during the transformation scenes.  And the way the windows of homes in the street glowing in the nighttime scenes and off during daytime scenes is a special touch that delighted me.

The musical score featuring songs such as: “This Is the Moment,” “Someone Like You,” and “In His Eyes,” have spellbinding melodies that bring the lead characters emotional depth and move the story forward. Lackman, Andrus, and Johnson perform these songs flawlessly. Thanks to Sound Designer Krista Davies, the audience can hear them with ease.

As as musician, I can tell you that Music Direction by David K. Martin was instrumental to the success of this production. A score as complex as this one would be insurmountable without someone who understands music theory and instrumentation and the production is vastly better for this.

explores the complexities of human nature and the battle between good and evil in a way that is both haunting and beautiful. Coupled with CenterPoint’s stellar cast and stunning visuals, this production is a must-see for theater enthusiasts looking for a night of high drama and exceptional performances. I have been impressed by all of the CenterPoint Legacy Theatre productions I have seen, but I would consider this to be one of the best. This is a challenging show.  

Note: Jekyll & Hyde the Musical contains dark and intense themes and may not be suitable for all audiences.

CenterPoint Legacy Theatre presents Jekyll & Hyde the Musical, music by Frank Wildhorn and lyrics by Leslie Bricusse.
CenterPoint Legacy Theatre, Barlow Stage 525 N 400 W, Centerville, UT 84014
Sept 22 – Oct 21, 2023 Monday – Saturday 7:30 PM, Saturday Matinees 2:30 PM
Tickets: $19.00-$37.00
Contact: 801-298-1302, info@cptutah.org
Jekyll & Hyde the Musical Promotional video
Photos by Micah Young

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