Review by Becky Evans, Front Row Reviewers
Farmington City’s dinner theater has outdone itself with its current production of The Mousetrap, Agatha Christie‘s iconic murder mystery that has held audiences spellbound since its West End debut in 1952. As the longest-running play in history, Christie’s cleverly crafted whodunit continues to prove why it remains a classic—full of tension, twists, and timeless intrigue.
Thanks to the dedicated direction of Katie Plott, this local rendition captures the spirit of the original while infusing it with fresh energy and clever staging. Plott’s vision and hard work are evident in every polished scene, making this one of the most successful productions to grace the Farmington stage.
A particular standout is the set design—a stunning recreation of a 1950s English boarding house done in a blue, green, and yellow color palette that feels both charming and slightly ominous. It’s the best use of space I’ve seen at a Farmington production to date. Plott’s passion for behind-the-scenes artistry shines throughout the costumes and set design. The space feels timeless, cozy, and a little eerie—just right for a murder mystery. Honestly, I’d love for her to decorate my house.
Madison Moretti plays Mollie Ralston, the boarding house’s young proprietress, with an innocent, endearing charm that grounds the entire play. Moretti keeps the story moving with sincerity and subtle emotional depth. Joe Nichols, a seasoned dinner theater professional, brings a convincing warmth and complexity to Giles Ralston, drawing the audience into every tense exchange.
Shane Alvey is a show-stealer as the eccentric Christopher Wren, with boundless energy and expressive facial movements. His crocheted rainbow neckties—handmade by Alvey himself—are a perfect extension of the character’s quirky flair.
Glenna Shirley plays the sour and snappy Mrs. Boyle with perfect bitterness, her gruff voice (possibly affected by a cold) fitting the character’s complaints and disapprovals to a tee. Shirley’s performance—gritty voice and all—adds to her commanding stage presence. Her expression often looks like she’s sucking lemons, and it works.
Alan Shirley brings a steady and believable confidence to Major Metcalf, while Windy Nichols adds flair and nuance to Miss Casewell, her timing and command of the stage enhancing the tension. Josh Astle is a delightful wildcard as Mr. Paravincini, with an exaggerated Italian accent that’s both funny and impressively clear.
As Detective Sergeant Trotter, Blake London strikes the right balance between authority and comedy, commanding attention from the moment he enters the scene.
Behind the scenes, Stephanie Bryant kept everything running smoothly as the excellent stage manager. Ryan Bruckman contributes impactful voiceovers, Doug Wayment masterfully handles the sound board with perfectly timed radio music and effects, and Tery Binkerd‘s lighting design adds just the right amount of drama and mystery to key moments.
At intermission, Executive Producer Tia Trevino engages the audience with a fun twist—asking guests to vote on who they thought was the murderer. For a play that’s been around since 1952, the fact that the audience was evenly split among the seven suspects speaks to how well the suspense was maintained.
Don’t miss your chance to see The Mousetrap in Farmington. Upcoming performances are on October 3-4, 9-11 at 6:30 PM. Tickets are $25, which includes a delicious chicken pasta dinner with sides and apple pie à la mode. Reserve your seat at:
Farmington Activity Registration
A thrilling, funny, and charming night at the theater awaits—We can’t wait to hear who you guess is behind it all at intermission.
Farmington Community Arts Center 120 S Main Street, Farmington
Doors and Dinner Service please arrive between 6:00 PM- 6:30 PM for seating
Show Begins at 7:00 PM
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