Review by Jane Smith, Front Row Reviewers
Timpanogos Arts Foundation’s community theatre production of Joseph and the Amazing Technicolor Dreamcoat is a vibrant, joy-filled triumph that bursts off the stage with color, humor, and heart. Performed at The Valentine Theatre in American Fork, this retelling of the biblical story of Joseph is anything but ancient history — it is electric, emotional, and wonderfully alive.
From the moment the Narrator, played by Brandy Taylor, steps onstage, it is clear the audience is in expert hands. With commanding vocals and an infectious stage presence, the Narrator anchors this entire production with clarity and charisma, guiding us through each twist and turn of Joseph’s journey with energy and emotional depth. And considering she doesn’t leave the stage, give it up for her stamina.
Joseph, the star of the show ,performed by Austin Simcox is stellar and powerful. “Close Every Door to Me” is a standout moment — a haunting, heartfelt performance that stirs something deep and nostalgic. The staging, lighting, and vocal delivery combines to create a moment of raw emotion that gives the production its emotional center. When the ensemble join The Children’s Choir it may be a reminder to the audience of moments they’ve felt lost and alone, longing for an answer.
The 11 brothers give great contrast to Joseph. Their performance of “One More Angel in Heaven” bringst pure fun, toe-tapping, head-bobbing delight that had me dancing in my seat and smiling long after the curtain call. I was absolutely beside myself, laughing during their songs “Canaan Days” and “Benjamin Calypso”. It was so much fun to see all the different personalities of the brothers but even better that they all get a chance in the spotlight. Their Father Jacob, played by Matt May, is just the loving teddy bear Dad you just want to cuddle. I appreciated the moment when he is reunited with Joseph most of all. While most of the show is fun and light-hearted, May is brilliant portraying the pain a parent feels at the loss of their child, and that reunion is ever so poignant.
The Children’s Choir adds an extra layer of sweetness and sincerity to the show. Their energy is infectious, their voices bright and clear, and their interactions with the audience create a warm, welcoming atmosphere. They didn’t just support the show, they became part of its heart, drawing the crowd in and making everyone feel like part of the story.
Rebecca Fenton’s Costumes plays a clever, comedic role, with Pharaoh’s Elvis-inspired look stealing the show and earning well-deserved laughs. The Pharaoh (Aaron Williams) has every bit of charisma that sparked the Elvis mania. Williams has the vocals, the moves and clearly is the King of his time. The iconic coat of many colors isn’t just bright, it is a work of art, bursting with patterns, textures, and a sense of joyful creativity that perfectly reflects the show’s spirit.
The set design and lighting from Caleb Wallengren is equally impressive. I expect nothing less from Wallengren and his team and this show is bolstered by immersive lighting effects that turn the stage into a living, breathing spectacle. Sound by Nathan Martineau (Rango) and Brandon Sanderson, and some incredible Strobe lighting during key musical numbers gives the feel of a pop concert or ancient celebration — a sensory treat And if you are hunting for pyramids, don’t worry. Set Builder Larry Myers and his team have you covered, and don’t forget to peep at the sheep- they even have names.
Adding to the charm is the show’s local flavor. Witty references to nearby venues, like “Hebrews and Beans” and the cheeky “Welcome to Egypt” sign, delighted the audience and drive the show firmly into the community fold, proving that a little wordplay goes a long way when it’s done with heart and humor. (And if you’re a soda drinker, give a cheer to your favorite when you hear it.)
Director Chip Brown and his team really did an incredible job of taking a beloved musical and making it more than ordinary.There is always a worry that productions that have been done many times can lose their shine, but this one surpasses all expectations. Brown clearly has helped every performer in the show create and develop their characters. When they are onstage, they are individuals, but also eventually show they come together as one. This is impressive for such a large cast spanning so many different ages. Music Director Kyra Fowler alongside Children’s Music Director Ashley Coombs bring us a sensational performance as the majority of this show is sung–and every performer shines. The children are absolutely incredible–for such young performers I was just enchanted. Choreographer Stephanie Cole knocks it out of the desert with her intricate and entertaining dance numbers! We got the perfect amount of sass and sex appeal from Potiphar’s Wife, played by Heidi Hughes and Apache Dancer Camryn Blair. It is hot hot hot! Cole also allowed the actors to be expressive and really move their bodies in character while staying true to the story. If you feel like dancing, you’re not the only one. Ask my plus one.
This version of Joseph is more than a dreamcoat — it’s a dream production. With stellar performances, laugh-out-loud moments, and a visual feast of colors and creativity, this community theatre gem reminds us just how powerful and joyful live performance can be. Not just any dream will do, but Timpanogos Arts Foundation sure will. Go Go Go!
The Timpanogos Community Theater presents Joseph and the Amazing Technicolor Dreamcoat, Music by Andrew Lloyd Webber, Lyrics by Tim Rice.
The Valentine Theater, 839 E 9th N, American Fork, UT 84003
June 19-July 1 2025. Performances at 7:30 PM Mondays, Tuesdays, Fridays, and Saturdays (with a 2:00 PM Saturday matinee)
Tickets: Available at TAFtix.com
Contact: info@americanforkarts.com
Facebook Page: Timpanogos Theater Facebook Page
Photos by Jane Smith with Smithfield Photography
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