Review by Avery Dall-Hilton, Front Row Reviewers
I was delighted to have the opportunity to see Guys and Dolls at Cottonwood Heights Arts Council for Front Row Reviewers. The classic story confronts us with the question: “What would you do for love?” and is well portrayed by the colorful and energetic performance brought together by talented performers, production team, and technical crew. With so many big characters, classic songs, beautiful dancing, and a heartwarming ending, audiences will be just as engaged as I was by this production.
One of the standout features of this performance is its strong male ensemble. There are so many instances when these hilarious gangsters bring us some truly spectacular vocals and comedic performances. Carlos Hernandez (Nicely-Nicely Johnson) delivers a rousing rendition of “Sit Down, You’re Rockin’ the Boat”, while Adrian Dayton showcases both his acting chops as Harry the Horse and his considerable dance skills. He and Sylvia Seitz (Bianca, Principle Dancer) charm the audience as they perform several beautiful routines, including a fiery “Havana” dance.
Of course, the show focuses on the romantic development of two couples, Nathan Detroit (Aaron Christiansen) and Miss Adelaide (Katy Mitarai), as well as straight-laced missionary worker Sarah Brown (Allie Memmott) and Man about Town Sky Masterson (Chase White). All four actors portray the love stories well, whether it’s the exhausted 14-year engagement (Nathan and Adelaide), or the excitement of unlikely but sweet new love (Sarah and Sky). Christiansen has the burden of carrying much of the show’s plot and progress and executes it with grace. Mitarai brings a bouncing and original energy to Adelaide, making her comedic, but also realistic as she laments over her man’s inability to commit. White and Memmott are an excellent pair as their beautifully ringing voices complement each other well in each duet.
As a costumer myself, I was thoroughly impressed by the tasteful and colorful costumes in every scene. From the bright suit combinations of the men to the velveteen dresses of the hot box dancers, everything is well thought-through and consistent. Costume designer Paige Wilson pulls out all the stops and showcases her knowledge of time period and color theory throughout the performance. Also notable is the production team’s work with projections with the set. Set designer Kayla Rydalch and lighting designer Chris Peck create an effective way to change through the many scene locations quickly.
Another unique decision is to showcase the live orchestra on the stage rather than in a pit or front of stage. First of all, having a live orchestra in a community theater is such an amazing accomplishment and these players absolutely step up to the challenge of performing a full show while visible for the audience to see. Led by music and orchestra director Dr. Robert Bedont, they act as an engaging part of the performance rather than simply background music. Occasionally, Dr. Bedont joins in the action by donning a colorful suit coat and announcing the Hot Box Dancers. A simple touch that makes a world of difference.
Director Michelle Yamazaki is to be commended for her dedication and hard work to bring this production to life. As she says in her director’s note: “These… characters undergo transformative journeys. Some discover the power of love and genuine connection, while others learn to embrace life’s pleasures without compromising their principles… the characters find redemption amidst the chaos and temptations of the city.” Truly, she shapes each character into more than a stereotype or a cliché, showcasing their growth and the challenges they face.
This productions would not have been possible without the support of a wonderful production team which includes: Ann Eatchel (Producer), Mallory Blue-Fearing (Production Manager), Camilla Fowler (Arts Council Liaison), Adam Cannon (Stage Manager), Heidi Mendez-Harrison (Choreographer), Heather Dayton Olsen (Choreographer), Michael Hamilton (Sound Designer), Crissy Knaras(Props Master), Jenny Cannon (Backstage Manager) as well as stage hands and tech assistants. With so much passion and dedication from cast and crew, you’re bound to enjoy a night with Lady Luck, at Cottonwood Heights Arts Council’s production of Guys and Dolls.
Cottonwood Heights Arts Council Presents Guys and Dolls by Jo Swerling, Abe Burrows (book), and Frank Loesser (music) based on a story and characters of Damon Runyon.
Butler Middle School, 750 S. 2700 E., Cottonwood Heights, UT 84121
July 13-15, 2023 7:00 PM
Tickets: $10-12
Contact: artscouncil@ch.utah.gov
Cottonwood Heights Arts Council Facebook
Photos provided by Cottonwood Heights Arts Council.
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