Front Row Reviewers

Sep 30, 2021 | Reviews

Come Join the Adventures of the Scarlet Pimpernel at Centerpoint Theatre’s Production of Scarlet Pimpernel in Centerville, Utah

Front Row Reviewers

Front Row Reviewers

By Megan Holley

Centerpoint Legacy Theatre in Centerville, Utah, is a community theatre that produces family-friendly shows that are fun for all ages; their current production Scarlet Pimpernel is filled with beautiful music, fun humor, and thrilling adventure. Centerpoint Theatre is a gem in the community that needs to be shared with everyone. All of their shows are high caliber, and they will leave you wanting to return and see both casts and every excellent production. Emily Wadley magnificently directs this comedic drama that you will not want to miss.

The show begins with Marguerite St. Just (Anya Young Wilson/ Claire Glaitti) singing with the most angelic voice in a theatre in Paris, France. You first meet Percy Blakeney (Ben Lowell/ Jake Slater) when it is announced that Marguerite is moving to England with her fiancé, Percy. At first, you think Percy is a standard English gentleman; however, as the show progresses, you will learn that this is not the case. Later, Chauvelin (Jacob Omer/ Ricky Parkinson) meets up with Marguerite and tells her that he is there to find and destroy the Scarlet Pimpernel, a vigilante who has been helping French nobles escape Madame Guillotine. The love triangle between these three characters in the show drives the drama even further, and the trio “The Riddle” that is sung right before intermission is full of impressive harmonies and chords that will leave you not only with goosebumps but speechless. Percy (Lowell/ Slater), Marguerite (Young Wilson/ Glaitti), and Chauvelin (Omer/ Parkinson) all have incredibly powerful voices that carry deep emotion.

The ensemble and Scarlet Pimpernel’s crew are all insanely talented. They move around the stage with a purpose and strength that propels the performance. Every character has such depth, and it makes you want dive deeper into the characters by seeing both casts.

Wadley’s casting choices are phenomenal, and you will agree when you hear the way every character’s voice rings through the performance hall and blends perfectly together with other performers’ voices. From the expert blocking to the clever set pieces, it is phenomenal from beginning to end.

Choreographers Marilyn Montgomery and Sarah Martin cleverly choreographs around the lines being spoken during the ball scene. They also make sure that the dancing is always period appropriate, which adds a level of authenticity to the show.

Fight choreographer Spencer Jackson Hohl makes the sword fights look realistic and heightens the drama with some slow motion units so that you can see every movement and slash. The fights add excitement in the show because you can see and hear the swords moving in front of your face, and the actors use great skill to make it look effortless.

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Arianne Hellewell directs the music so splendidly. You can tell a lot of hard work went into the music in this show. Every harmony fits like a glove and every voice is perfect together.

Costume Designer Kierstin Gibbs adds a subtle yet profound hidden feature in her costume designs. Gibbs’ costume design for Percy and Marguerite reinforces their unity and disunity; from the beginning of the show up to the night of the wedding, the costumes for Percy and Marguerite have parts of each other’s costumes, yet after that until the end of the show they do not (except for at the ball) share costume pieces. The ballgowns are stunning, and it makes you want to put one on and twirl around.

The way that Michael Gray designs the lights for this show is really a sight to be seen. The lights darken when something is happening that involves Chauvelin and brighten when something involves the Scarlett Pimpernel, reinforcing the roles of antagonist and protagonist.

Sound designer Lydia Pearce ensures that the sound levels are nicely balanced throughout the show so that the music does not overpower the microphones and vice versa.

I cannot emphasize this enough: if you want amazing theatre, run to see this show. You will not be disappointed.

Centerpoint Legacy Theatre in Centerville, Utah, is known to many as a home away from home. The more you go see their shows, the more you will realize that theatre can be your home away from home as well. Theatre has a way of bringing us together as a community, and that is what Centerpoint Theatre is about. Ticket requests need to be made at least 48 hours in advance; contact the Box Office for available seating.

Centerpoint Legacy Theatre presents The Scarlet Pimpernel, by Nan Knighton and Music by Frank Wildhorn. Based on the Novel The Scarlet Pimpernel by Baroness Orczy
Centerpoint Legacy Theatre, 525 N 400 W, Centerville, UT 84014
Sep 30 – Oct 23, 2021, 7:30 PM, Saturday Matinee 2:30 PM.
Tickets:  $18 – $30 (There will be an American Sign Language production on Saturday, October 2nd, at the 2:30 PM Matinee performance)
Contact: (801) 298-1302
Centerpoint Legacy Theatre Facebook Page

Front Row Reviewers

Front Row Reviewers

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