By Kathryn Olsen
It is always a challenge to fuse lesser-known works with iconic pieces in a way that keeps an audience’s attention and this weekend’s performances of Beethoven 2020: Symphony No. 7 by the Utah Symphony at Abravanel Hall in Salt Lake City is a prime example of such an effort done well. The concert relies on the timeless genius of the titular piece while drawing the audience into an awareness of other works of immense energy. Helmed by conductor Thierry Fischer and featuring the virtuososo-level talents of visiting pianist Francesco Piemontesi, there is an almost electric intensity to every minute of the performance. I, myself, always look forward to a Beethoven symphony while looking forward to discovering more contemporary music.
Each half of the concert begins with a movement from Olivier Messaien‘s Des Canyons aux Etoiles (From the Canyons to the Stars). This twelve-movement piece in honor of the 200th anniversary of the signing of the Declaration of Independence features the splendor of America in innovative musical landscapes. In “Bryce Canyon and the Red-Orange Rocks” and “Cedar Breaks and the Gift of Awe,” this French composer acquaints the listeners with the passage of wind through the caverns, the tumble of stones, and the grandeur of the rock formations that are familiar sights in Utah’s national parks. The sense of awe referenced in the Cedar Breaks movement is evident in the monumental chords and percussive moments.
The first half of the concert demands a piece as intricate and impressive as Messaien’s ode to the canyons and this weekend’s program therefore includes Robert Schumann‘s 1845 Piano Concerto in a minor. The program notes suggest that the concerto, which was originally conceived as a single-movement fantasy, had an influence on Edvard Grieg‘s own piano concerto and it is not difficult to imagine. Piemontesi is a master of intricate and roiling passages as well as more stately sections of the work. It is a remarkable and athletically-demanding Romantic concerto that also retreats into some slyly unassuming moments and Piemontesi’s interpretation of this range is an effect that makes each moment a joy to experience as he enhances the interchange between orchestra and soloist.
There is just one more performance, so purchase tickets soon. The music is appropriate for all ages and forms an unforgettable experience for every member of the audience.
The Utah Symphony Presents Beethoven 2020: Symphony No. 7.
Abravanel Hall, 123 W S Temple, Salt Lake City, UT 84101
Feb 21-22, 2020, see site for times.
Tickets: $12.50-97.00
www.usuo.org
Contact: 801-533-5626
Utah Symphony Facebook Page
Beethoven 2020: Symphony No. 7 Facebook Event
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