Flying at the Rose Wagner Performance Arts Center in Salt Lake City, Utah Gives Pygmalion Theatre Company a Chance to Honor Women Pilots

By Richelle Sutton

Pygmalion Theatre Company opens its production of Flying by Sheila Cowley at the Rose Wagner Performance Arts Center in Salt Lake City, Utah. Flying is a story revolving around a group of women who were a part of the Women Airforce Service Pilots program (WASP) during World War II. After the war, Susan has to try and adjust to her normal life while the town waits for her husband, and local hero, to come home. She struggles to keep his family’s airfield going in his absence. Her work gets harder as one of his wounded gunner friends from the war, Rory Fisher, rides up seeking a job and she is forced to oblige. Fisher is grieved by not only his injured leg and hand, but taking orders from the women there. All anybody wants to know now is where is Susan’s husband?

This is quite a well-written piece and I enjoyed the chance I had to see this fabulous production. All of the actors are very talented. Nicole Finney (Susan) is absolutely splendid as the main heroine. She shows such thinly veiled venom in the circumstances her character finds herself in. It was exciting to see such a strong female character represented so well within the piece. Likewise, Lori Rees (Laura) and Carlie Young (Lucy) show incredible personality in their roles, depicting the many struggles these women faced in society, constantly being pigeon-holed into being homemakers when they are clearly capable and wanting of so much more. Calbert Beck (Rory) shows a lot of good physicality with his character, consistently exhibiting through his actions and emotions how much his character’s physical limitations bother him. Andrew Maizner (Doc) is the character you just absolutely love to hate. His incredibly sweet smile and disposition are beautifully contrasted with the unknowingly harmful words he delivers to the characters around him.

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I loved walking into the theatre to the classic jazzy music of the 40s. The sound design by Mikal Troy Klee put me instantly into the mood to watch a period piece. Similarly, being able to perceive the intricacies of the set (Allen Smith) made me very excited to watch the play and how the characters would interact with the environment around them. The interesting antique pieces included within, like the telephone set, created such great texture and narrative to the space. The costumes (designed by Andrea Davenport) were very fitting to each character, helping to tell their personalities before the characters even said a word. The colors used were also incredibly pleasing to the eye. Jessica Rubin designed some beautiful hairdos and makeup for the characters, completing their look and feel for the time period. The lights (designed by Rachael Harned) were quite interesting and at times held the most symbolic meaning within the play. Teresa Sanderson did an amazing job as director in helping the actors and production team understand the look and views of post-world war America and connecting this show to a contemporary audience.

Flying by Sheila Cowley is a great look into the gender differences we have overcome since the 1940s and some that we are still working to overcome today. Pygmalion Theatre Company does sensational work in showing how strong and formidable our everyday unsung heroes can be. If you are looking for a good feminist play to enjoy, jump over to the Rose Wagner Performing Arts Center in Salt Lake City, Utah and sink your teeth into this wonderful production.

Pygmalion Theatre Company presents Flying, written by Sheila Cowley
Rose Wagner Performing Arts Center, 138 Broadway, Salt Lake City, UT 84101
February 14 – February 29, 2020, Thursday, Friday and Saturday at 7:30 PM, Sunday at 2 PM with an extra matinee final Saturday at 2 PM
Tickets: $15-$22.50 General Admission
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