By Madison Moretti
The Hunchback of Notre Dame by Steven Schwartz premiered on October 28, 2014, at the La Jolla Playhouse of San Diego, produced by the Walt Disney Theatrical Company. The Hunchback of Notre Dame is based on the 1996 Disney film, featuring songs written by Alan Menken and returning to the original plot of Victor Hugo’s 1831novel. Hunchback is a dark departure from Disney’s other theatrical productions, such as The Lion King or The Little Mermaid, and offers audience members a powerful and emotional depiction of abuse, corruption, and religious dissension. The haunting and tragic finale of the show is the kind that lingers with viewers long after leaving the theater, and has made this classic story a lasting favorite. This powerful show has found a new home at Centerville’s CenterPoint Legacy Theater and you shouldn’t miss it. There were several things about this production that immediately caught my attention. The creativity of the crew, under the direction of Alane Schultz, is evident from the moment the curtain is raised. The functionality, beauty, and versatility of the set design by Scott Van Dyke easily transitions the stage from the lofty heights of the cathedral to the twisting streets of Paris. The impressive costuming and makeup done by Tammis Boam and Lindsea Garside brings a sparkling authenticity to this show. The crew for this show has created an immersive and stunning experience not soon to be forgotten. The costuming of Saint Aphrodisius is particularly memorable, and Quasimodo’s prosthetics are somehow both amazing and horrific.
The next thing that stood out to me, and continually caught my attention throughout the show, was how versatile and interesting the ensemble is. The music of this show, based on old hymns and Gregorian chants from the 14th and 15th Century, requires a strong choir with even balance and the ability to convey emotion and aesthetic. This ensemble, choreographed by Ashley Carlson and under the musical direction of Derek Myler and Maurie Tarbox, is masterful in the way that it crafts the setting for the story and builds emotion, all while managing constant costume and scene changes. Ensembles are a large and very important part of any show, but this one is critical to the success of the production, and they make it look effortless.
The lead roles of this show are each passionate and complex, and require immense talent to play well. Frollo, played by Daniel Frederickson, carries a deep and firm sense of piety and is a character that is easy to overact and cheapen. However, Frederickson plays the role with a simmering anger, always present but masterfully controlled. Even when singing “Hellfire”, a climax and a turning point of sorts for his character, the rage and intensity is powerful, but not overdone. This skill and control makes the character truly intimidating, even in his “kinder” moments, and achingly human when his faith is shaken by the beautiful gypsy Esmeralda, played by Becca Burdick.
Burdick as the gypsy is lively and colorful in her personality, yet intensely compassionate, and this actress demonstrates an impressively vast depth of emotion in the role. I was especially moved by her performance of “God Help the Outcasts”, an sensitive plea that highlights the complex and hypocritical themes that religion plays in the show. She prayerfully pleads on behalf of her people, but is still fierce and unafraid. Burdick finds a beautiful balance for her character’s many intricacies, and she truly embodies the enchanting allure of Esmeralda that captures the hearts of those around her.
Of those enchanted by Esmeralda is Captain Phoebus, played by Spencer McCoy, who is an honorable soldier taken from the front lines of battle to serve at the cathedral. McCoy is a bright and cheeky relief with a big personality and charming stage presence that is an absolute joy to watch. His unapologetic acting and easy confidence onstage colors Phoebus as the noble hero every story needs, while still allowing for the character’s growth throughout the show.
Finally, I must sing the praises of the titular character and the brilliant actor championing the role. Quasimodo, played by Christian Lackman, is a musically and physically challenging role that few actors can do justice for. Nevertheless, Lackman’s portrayal is immediately captivating and masterful. His performances of “Out There” and “Heaven’s Light” showcase a rich and powerful voice paired with a raw vulnerability that brings Quasimodo to life in a dynamic and lovable way. And his dedication to the physical aspects of the character are impressive to say the least. Lackman’s performance alone is enough to bring audience members back for more; I certainly know I won’t be the only one attending multiple performances.
This production of The Hunchback of Notre Dame by CenterPoint Legacy Theater in Centerville is a brilliant masterpiece that should be on everyone’s must-see list this fall. This show tells the classic story known and loved by many with beautiful execution thanks to a dynamically creative crew and immensely talented performers, and will thrill audience members of all kinds. Please note that the show contains dark themes and may be intense for younger viewers.
CenterPoint Legacy Theater Presents The Hunchback of Notre Dame, Music by Alan Menken, Lyrics by Stephen Schwartz, and Book by Peter Parnell. Based on the Victor Hugo novel and songs from the Disney film.
CenterPoint Legacy Theater (Davis Center for the Performing Arts), 525 N 400 W, Centerville, UT 84014
September 28 — October 26, 2019, 7:30 PM
Tickets: $19.75 – $28.75
CenterPoint Legacy Theater Facebook Page
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